ARCHIVE
Month
Section
Elania Pieragostini, Senior Curator of the Devonshire Collection at Chatsworth, Derbyshire, has kindly chosen our fourteenth drawing of the month.
This month's entry is extracted taken from Nicholas Turner’s 'Florentine Drawings of the sixteenth century'.
Sarah Mallory, Annette and Oscar de la Renta Assistant Curator of Drawings and Prints at the Morgan Library & Museum, New York, has kindly chosen our tenth drawing of the month.
Amy Lim, Curator of the Faringdon Collection at Buscot Park, Oxfordshire, has kindly chosen our ninth drawing of the month.
Austėja Mackelaitė, Curator of Drawings at the Rijksmuseum, Amsterdam, has kindly chosen our eighth drawing of the month.
Andaleeb Badiee Banta, Senior Curator and Department Head, Prints, Drawings & Photographs, Baltimore Museum of Art, has kindly chosen our seventh drawing of the month.
Luca Baroni, director of the Rete Museale Marche Nord and author of Federico Barocci’s Catalogue Raisonné (Forthcoming, Summer 2024, has kindly chosen our sixth drawing of the month.
Dr Alexa McCarthy, executive director of the Greater Des Moines Public Art Foundation and specialist in drawings on blue paper, has kindly chosen our fifth drawing of the month.
Dominique Radrizzani, former Director of the Museum Jenisch Vevey, choses our fourth drawing of the month.
Grant Lewis, Milein Cosman Curator at the British Museum, choses our third drawing of the month.
Maria Aresin, Curator for Prints and Drawings until 1800 at the Kunsthalle Bremen, picks out our second drawing of the month.
Rosie Razzall, Curator of Drawings at Museum Boijmans Van Beuningen in Rotterdam picks out our first Drawing of the Month.
J. Cabelle Ahn, PhD, reviews ‘Paris through the Eyes of Saint-Aubin’ at the Metropolitan Museum of Art, New York
Emma P. Holter (Tyler Art & Architecture) reviews ‘500 Years of Italian Drawings from the Princeton University Art Museum’ at the Benton Museum of Art, Pomona College.
Nigel Ip (Print Quarterly) reviews ‘Michelangelo: the last decades’.
An Interview with An Van Camp, curator of the exhibition and Christopher Brown Assistant Keeper of Northern European Art, at the Ashmolean Museum, Oxford.
A look back at our launch of the first ever board game dedicated to Old Master drawings.
Louis de Bayser, President of the Salon du Dessin, previews Paris Drawing Week.
Tyr Baudouin (Galerie Lowet de Wotrenge ) reviews “From Scribble to Cartoon”.
Tom Mendel (Nonesuch Gallery) reviews “Holbein at the Tudor Court”.
Our editor reviews Superb line: prints and drawings from Genoa 1500-1800 at the British Museum, London.
‘Drawing the Italian Renaissance’ with Martin Clayton
The Farnese Drawings at Capodimonte, with Dr Claire van Cleave.
What’s the big deal with blue paper, with Dr Alexa McCarthy. Part two.
What’s the big deal with blue paper, with Dr Alexa McCarthy. Part one.
Details of the exhibitors, events and programme of our summer exhibition at No. 9 Cork Street.
How to understand a collector’s mark, according to Rhea Sylvia Blok. Part two.
How to understand a collector’s mark, according to Rhea Sylvia Blok. Part one.
How to assess an attribution, according to Greg Rubinstein. Part two.
How to assess an attribution, according to Greg Rubinstein. Part one.
How to read a drawing, according to Erwin Panofsky.
How to restore a drawing. Helen Loveday shares her insights.
How to buy at auction. Lara L’vov Basirov provides a crash course.
How to visit a Print Room? Drs Ketty Gottardo and Rachel Sloan help us out.
To Listen · To Watch · To Read
To Listen · To Watch · To Read
To Listen · To Watch · To Read
To Listen · To Watch · To Read
To Listen · To Watch · To Read
To Listen · To Watch · To Read
To Listen · To Watch · To Read
To Listen · To Watch · To Read
To Listen · To Watch · To Read
To Listen · To Watch · To Read
To Listen · To Watch · To Read
To Listen · To Watch · To Read
To Listen · To Watch · To Read
To Listen · To watch · To Read